ARRIVALS / DEPARTURES: a play
A fast and furious dark comedy chronicles ex-pats in Bali who begin to suspect that the neighbors may in fact be terrorists. Six-time Emmy Nominee George Wendt starred in the Off Broadway workshop.

CAST OF CHARACTERS
ARRIVALS/DEPARTURES was presented in June 2009 at
Cherry Lane Theatre as a reading with the following cast:
Fred ……………..… George Wendt *
Nathan …………..... Kellan Tortora *
Wayan Balik ………. Rodney To *
Tarek ……………..... Danny Beiruti
Wayan ……………... Hoon Lee *
* These actors appeared courtesy of Actors' Equity Association
SCENE FOUR
A house on stilts grows on a lush hillside—like a weed. Its wide veranda hovers high above the river valley where surrounding rice terraces run uninterrupted.
Champaka flowers from the morning offerings have wilted. Chimes hang on the porch, coaxed by wind coming off the mountain. Beyond teak loungers, sliding panels reveal an oddly suburban Texas interior.
Nathan is typing.
NATHAN
I thought you were in town.
TAREK
I was earlier.
NATHAN
Oh.
TAREK
You’re writing.
NATHAN
Believe it or not, I’ve actually made some progress.
It’s been quiet with Fred distracted by his new toy.
TAREK
I saw.
NATHAN
How was town?
TAREK
Hot, crowded. How you feeling today?
NATHAN
Could be worse. Hope I didn’t act like an ass.
TAREK
You remember falling asleep during our conversation?
NATHAN
Yikes.
TAREK
No worries...I have friends back home who do the same thing
sober.
NATHAN
No dinner plans tonight?
TAREK
Nah.
NATHAN
I was thinking of going down to Nusa Dua. There’s this restaurant
on the main drag.
TAREK
Reminds you of home?
NATHAN
Wouldn’t go that far—more like Hollywood Road in Hong
Kong.
TAREK
Think I might stay here tonight.
NATHAN
Again?
TAREK
I didn’t get a proper night’s sleep.
NATHAN
What were you doing out in the fields?
TAREK
Last night?
NATHAN
You were in the fields last night?
TAREK
No.
NATHAN
I mean, just now.
TAREK
Wandering...
NATHAN
It’s easy to get lost out there.
(beat)
You were saying something last night.
TAREK
It was nothing.
NATHAN
It was something.
TAREK
I have an unhealthy fascination with this island.
NATHAN
Not just you—we're full up with sex-pats and Walter Spies-wannabes.
(beat)
So, you have been to Bali before?
TAREK
Yes.
NATHAN
The second time is better.
TAREK
(reluctant)
Or the seventh.
NATHAN
Seventh?
TAREK
It was Sophie’s idea that first time.
NATHAN
Your sister?
TAREK
Her boyfriend was organising a season-end trip for his
footy mates. She didn’t like the idea—him partying out
here. It has a reputation, y'know?
NATHAN
Right.
TAREK
She thought it would be fun to surprise him. Check up on
him, more like.
NATHAN
You tagged along?
TAREK
Didn't want to at first. But our mum and dad were not about to let
her go alone—she was young. So she talked me into going with her.
NATHAN
When does football season end?
TAREK
October.
NATHAN
You went to Kuta?
TAREK
Sophie tried to sell me on the trip but it didn’t take a lot of
convincing.
NATHAN
You were there. Weren’t you?
Tarek nods his head.
NATHAN
(continuing)
You wanted to tell me last night. Why?
TAREK
I don’t know. Seemed like you had lost someone, too.
NATHAN
More than him. A few years ago, my best friend passed...
suddenly—three months before her wedding day, no shit. I was
supposed to be in the wedding party. But ended up as a
pallbearer instead.
TAREK
You can sense loss in other people, I guess. Maybe I just finally wanted
to tell someone.
NATHAN
What happened that first trip?
TAREK
After a few nights of partying in Kuta, I started venturing off
on my own. Those guys were heaps of fun, but I was the only
one crawling back to my hotel room alone end of the night.
NATHAN
Did your sister know you were gay?
TAREK
I guess she knows now. I found some places online and
before long, I’m sneaking off to more desirable venues,
seeing my sister only on the beach in the arvo.
NATHAN
And then...
TAREK
And then...
NATHAN
On that Saturday...
TAREK
I was pretty trashed at a bar in Seminyak, striking out
pitifully with two boys from Cork. I noticed some
geriatric admirers staring me, so I found transport
and off I went—back to the hotel.
NATHAN
Did you go straight back?
TAREK
When we got into Kuta the driver was the first to notice all
the commotion in the streets. “What happened?” He said to
me. I was...out of it. But I remember hearing all of the
sirens and seeing tourists lined up along hotel balconies—
pointing, screaming...in shock, basically. Then we got
really close—gridlock. Chaos outside the car window. I
could see the orange glow of fire up ahead. I thought a
plane must have gone down—I couldn’t think of any other
explanation. We didn’t move. At some point I got out of the
taxi—I don’t even remember if I paid the driver. I started
walking down Jalan Legian—felt more like floating.
NATHAN
Where was your sister?
TAREK
I reckon it was about eleven-thirty—at least that’s how I
figure it—when I got close to where the Sari Club used to
be. The street was littered with bodies, unrecognizable
parts...
NATHAN
How close could you get to the club?
TAREK
The street was like a parking lot. There was damage to the
road itself and no one was moving. A vehicle up ahead,
immobilized in charred ruin, had four dead passengers sitting
upright, the driver with his hands still clutching the wheel.
Most people were out of their cars, trying to help.
NATHAN
My mother says it’s chemical, what makes people come together
in a crisis.
TAREK
As I passed Paddy’s Bar, I could see there was nothing left—except
the plastic palm trees out front and a few shreds of the Irish flag wrapped
around dead tree branches.
I remember it like a nightmare—disjointed with a lot of
time gaps—but somehow I found myself standing right in
front of the Sari Club. I can recall images of people lying
there on the street—in particular, a worker sitting on the
ground screaming, his leg so badly burned I had to look away.
NATHAN
What did you do?
TAREK
There was no way into the club—it was just a shell of a
building with flames shooting out from all directions.
Gigantic beams were falling. I could see people running out
but no one was running back in by the time I got there. One
woman came barreling out with her hair completely up in
flames. I saw bodies being flung over a tall wall but I
couldn’t make out any faces—everyone was covered in ash and
thick smoke was making my own eyes tear. I took out my phone
and called her number.
NATHAN
(beat)
And?
Beat.
TAREK
At some point, Russell, one of the guys from the team,
recognised me on the street and asked me if I had seen two of
his mates. I’m not sure how I even processed what he was
telling me but we managed to exchange a little bit of
information. It turns out Sophie was definitely inside the
club earlier, but he hadn’t seen her since. I had a really
sick feeling. I looked in vain for police but everyone was
too busy and had no answers.
NATHAN
Where did you go?
TAREK
I stood there for hours—looking for her, looking for
Cameron, looking for anyone. I finally made my way to the
beach. A lot of foreigners spent that night on Kuta beach—scared
of another bomb. Everyone wanted to be near the water
after seeing firsthand what fire can do to the human body. I
saw a man drag himself across the road because his feet had
been blasted right off in the explosion. By sunrise, I
called home and got my dad out of bed. My parents hadn’t
heard anything yet but were obviously concerned. My dad
later told me that he knew something was very wrong by the
sound of my voice. They told me to go to the police but they
didn’t understand what it was like here.
NATHAN
What was it like?
TAREK
I spent days just making rounds to all the hospitals. I saw
the most graphic scenes at Sanglah—bodies piled up like a
holocaust, a woman weeping to herself that all of her friends
were dead. Her husband shouting, “Fucking terrorists” and I
swear he looked at me like I was one of them. I checked the
information boards obsessively—the list of missing people
was quickly outnumbering the list of dead and discharged.
NATHAN
Did you find her?
TAREK
No.
NATHAN
You’ve been looking since.
TAREK
I know she never made it out of that club.
NATHAN
I...
TAREK
A man with a kilo of TNT strapped around his chest walks
right up to the bar on a Saturday night. A few seconds
later, a big van blocking traffic takes out an entire section
of the street.
NATHAN
I remember that day—barely a year after New York.
TAREK
What do you think of a man who can’t leave a memory
behind?
NATHAN
I think he’s looking for an answer.
TAREK
Or justice?
NATHAN
Those men were executed, no?
TAREK
Aren’t you going to ask me if it was satisfying?
NATHAN
Was it?
TAREK
Initially.
NATHAN
And now?
TAREK
Local authorities were disorganised but kind. Before long, the Australian
Federal Police took-over. They were suspicious of me from the start—brown
skin and all.
NATHAN
I remember reading there was pressure from local religious leaders.
TAREK
Yes.
NATHAN
They wouldn’t allow the Feds enough time to thoroughly
investigate the area.
TAREK
It was time to deposit the remains into the sea and purify
the site.
NATHAN
Back to nature.
TAREK
At first, I couldn’t understand. My sister was somewhere in
that rubble. I didn’t want her cleared away by a bulldozer.
Along with all the evidence.
NATHAN
You can learn a lot about a people from the way they bury
their dead. That’s what my father said in the car one day as we were
pulling away from the cemetery. Both my parents were there—one of
the few times I’ve even seen them together in the last ten years. I’m not
exactly sure what specifically my father was referring to with that comment,
but I remember thinking about Viva’s brother, heaving that heavy rock
onto her coffin. It made the most disconcerting thud. His eyes were vacant
behind a steady stream and at first, I figured it was some spontaneous outburst
of grief. Why Viva? Why so young?—that kind of thing. I guess it didn’t
register, until her Uncle Benny picked up a nearby shovel, that we were
literally supposed to bury her. It was hard enough for me to help the other
pallbearers lower her coffin into the ground. But before long, I found myself
dropping stones and earth down there—passing shovels back and forth among
grieving family and close friends. It was amazing, actually. The Rabbi said,
“Don’t let strangers bury her.” And all of a sudden, every Catholic burial I’ve
ever been to seemed so cold, turning our backs on the task at hand,
the final thing you can really do for a loved one, allowing for some random
cemetery workers to make a quick job of it as soon as the stretch of
black cars is far enough away.
TAREK
You got to say goodbye.
NATHAN
I think it helps.
TAREK
Don’t tell Fred or anyone what I told you.
NATHAN
I won’t.
TAREK
And Nathan, I do want to go to Nusa with you—some
other time.
NATHAN
You never said why you were in the fields last night.
TAREK
I should wash up.
Tarek exits.
